Hamilton

Who knew American politics could be so…scandalous and entertaining! Lin-Manuel Miranda’s Hamilton was all that, and so much more. From political risings, heated rap battles to career damaging affairs, the story of Alexandra Hamilton left no question about his life untouched.

Brought to the shores of New York on relentless waves was an even more relentless and seemingly remarkable scholar who, with an undying determination, rose to political power and fame through connections with the wealthy and a thirst for change.

Lin-Manuel Miranda's capability to turn late century politics into a show of commanding, groovy songs which features few pop references and political hyperbolic lyrics is second to none. It’s a testament to his songwriting ability and directing skills, some of which have catapulted him to Hollywood fame.

The set of New York Harbour and the rotating stage added to the theatrics and established the scene for the many catchy tunes that followed. It was nothing short of joyous hearing those layered vocals and melodies for myself. Intertwined with songs of yearning - whether it be for love, political gains and losses, revolution, or relentless taxes - accompanied with a modern touch of rap, enthralled me.

Alexander Hamilton, played by Marley Fenton brought the wit, smarts, and cunning of Hamilton to the stage in a barrage of hearty vocals and charm. Introduced with the first number Alexander Hamilton, you learn very quickly what kind of a purposeful man he is.

His pen, an unyielding feat of Hamilton's that often perpetuated a range of controversies and admiration, helped him rise in the ranks from a Lieutenant to an NY delegate and most notably, the Secretary of Treasury, some of which is detailed in the catchy number Non-Stop Featuring Aaron Burr, a rival and long time frenemy of Hamiltons.

His performance later coalesced into one of conflict and regret, most notable in The Reynolds Pamphlet which detailed his ‘torrid affair’ and subsequent bribery by his mistress's husband in hopes he could disprove rumours of financial fraud. It was a short performance full of drama which showed his political opponent, Thomas Jefferson rejoicing in his dishonour and Schuyler sister Angelica lamenting in her sister and wife to Hamilton's, Eliza’s heartbreak.

Eliza, wife to Hamilton played by Casey Al-Shaqsy, helped add a gentle touch to the performance with her kindness and love. Her vocals were beautiful, making her recital go down as one of my favourites. Especially near the end when her rage and grief gave way for a more potent rendition of her character. One that was captivating and even more loveable.

Throughout all the unforgettable cast members, which included Ashley J. Daniel as Lafayette/Thomas Jefferson, Chasity Crisp as Angelica Schuyler, and Km Drew Boateng as Hercules/James Madison - one that I must give dues to is Billy Nevers as Aaron Burr. Nevers showcased a remarkable performance of envy, annoyance, wisdom and anger as he rivaled with Hamilton. His clear, smooth vocals filled the stage in an array of solos and group performances.

The cast ensemble pirouetted and pivoted their way into an unforgettable show. They provided support to the main cast members and stood out as they altered the stage and moved around props to match the scene in dances of agility.

With a bittersweet ending - one I loathe to spoil - the show ended, not without a staggering standing ovation. All in all, the overall performance demonstrated why Hamilton has since acquired legendary status since its debut in 2016. It sets a precedent for theatre in so many ways, one which will influence many shows for years to come.

And with that I say, if you don’t know, now you know. Hamilton is a must see performance if the opportunity lands on your city’s doorstep. Be in The Room Where It Happens, you won’t regret it!

Thank you as always, to Norwich Theatre Royal for the opportunity, I could not be more grateful.