Kate Butch : Wuthering Shites
Extravagantly queer and dramatically hilarious, Kate Butch runs up that stage at Norwich Playhouse theatre with live singing and a superb performance.
Street lights highlighted the worn path outside the Playhouse theatre, an otherwise self-effacing building I often frequent for a nice alcoholic drink. Tonight, though, I arrived hopeful that I’d leave the small theatre next to the bar drunk on laughter and, spoiler alert, I did.
The corridors of the Playhouse theatre were crammed with excited attendees for 'Kate Butch: Wuthering Shites', a jukebox musical. For some, this is their first time beholding Kate Butch in all of her eccentric grace, and for others, they might recognise her from series 5 of RuPaul's Drag Race UK. However, I’d wager a good amount that a small selection attended thinking this was the actual Kate Bush - not to be mistaken for Butch - coming out of rural hiding to throw a jukebox musical comedy act on a random Thursday. Nevertheless, we were all here for a good show and, I must say, we were not disappointed.
The opener for the night was trans comedian Ciara O’Connor who had the entire audience clutching their stomachs with her wit and ridiculously funny one liners. Her charm reflected throughout the entire crowd, the self deprecating humour setting you off before she’d even finished a sentence which hilariously prepped and hyped us for the rest of the night.
Not long after Ciara, cheers filled the theatre for the dramatic entrance of Kate Butch as she appeared from behind us - face beat to the heavens wearing a bright red dress that ever so gracefully fluttered down stairs as she made way to the stage in wonderful layers of tulle. After a musical number - a loose rendition of a Kate Bush song - she introduced her story and main character, Kathy, which might sound familiar if you’re a casual fan of Kate Bush, or perhaps Emily Bronte. The story follows Kathy and her rather chaotic life, one of which Kate Butch builds using misunderstood lyrics alongside reenactments and renditions of the songs and oftentimes unconventional videos from Kate Bush in an utterly amusing fashion.
As we journey along this eventful story about poor Kathy, Kate uses this as an opportunity to crowd work and recruit the audience to play some very vital parts in her story, one of which included an officiant and a homewrecker. I have to be honest and mention how glad I was not to be at the front, for if I was chosen as the homewrecker who fisted - yes, you read that right - Kathy's marriage into ruin whilst she was in a coma, this would have been a very different review. Of course, I’m joking, however, I do fear my lack of stage presence would have ruined the show.
Ending the musical with a laughable cease and desist from, whom we’re to believe was Kate Butch herself, and a couple of classics, most notably Wuthering Heights, the show finished with a round of loud applause.
Now, if you’re not a megafan of Kate Bush’s music like myself, you’d still find yourself laughing along to some of the ridiculous and dramatised references throughout the performance. Enthralled by the innuendos, fabulous covers, attempted octaves and a story based on lyrics that have been hilariously taken out of context, I’m sure you’d still have a blast like I did.
More Comedy Reviews
Chris McCausland
Chris McCausland
The most I’ve laughed in “yonks”!
Ray O'Leary - Laughter? I Hardly Know Her
Ray O'Leary - Laughter? I Hardly Know Her
Ray O'Leary, is fair to say, has a distinctive way about him. Wild, curly hair. Beer belly out and proud. A face only a mother could love. And that suit. It's a look that says he knows exactly what he’s doing and that he does it very well.
The Anglia Comedy All Stars
The Anglia Comedy All Stars
On another night, any one of the line-up could have reasonably headlined a comedy night — Ed Gamble, Rachel Parris, and Paul Sinha on the same bill felt almost like overkill. All Stars indeed.
12 Beans of Christmas - Adam Riches
12 Beans of Christmas - Adam Riches
What seemed clear from the outset was how much fun Adam Riches was having, and how effortlessly that good humour infected everything that went on.
Nick Helm
Nick Helm
It says much for Helm's evident charm - almost in spite of himself - that a combination of meandering chat and show tunes worked at all, let alone proved thoroughly engaging.
John Cooper Clarke
John Cooper Clarke
His masterly command of the stage and his considerable charisma hides it well, but he has been trotting out the same gags, the same asides and - of course - the same poems for at least fifteen years. How big a problem that represents is largely down to the affection in which he is held.
More by Layla Norman
Tina : The Tina Turner Musical
Tina : The Tina Turner Musical
‘Tina’ brought the life story and legacy of rock icon Tina Turner to the stage and it was simply, The Best.
Hamilton
Hamilton
Lin-Manuel Miranda’s Broadway blockbuster Hamilton brings the founding fathers to Norwich in a revolutionary performance.
Les Misérables
Les Misérables
Profound in its harrowing and bitter sweet ending, Les Miserables on stage at the Norwich Theatre Royal was a rebellion of outstanding performances.
Corto.alto
Corto.alto
This electric jazz performance had me shocked with how good it was.
Alogte Oho & His Sounds of Joy
Alogte Oho & His Sounds of Joy
From the rainforests of Ghana, Alogte Oho brightens the rainy skies of Norwich with his enthusiastic Sounds of Joy.
Emma Rawicz
Emma Rawicz
With a saxophone and a talented band, Emma Rawicz blessed the Octagon Chapel with fantastic jazz melodies.
Related Articles
Carousel - Norfolk and Norwich Operatic Society
Carousel - Norfolk and Norwich Operatic Society
Another fabulous production from the entire team at Norfolk & Norwich Operatic Society.
Phil Porter’s Blink
Phil Porter’s Blink
A Sneak Peak of the Play
Teaċ Daṁsa / Michael Keegan-Dolan - MÁM
Teaċ Daṁsa / Michael Keegan-Dolan - MÁM
Those that see this show will leave with a renewed sense of warmth and hope in their souls. It is a visceral tribute and testament to the music, the traditions and the culture of the people of the Kerry coastline
Dear England
Dear England
This play about football was not really about football at all. It was a play about male bonding, humanity, mutual respect, facing your demons, and about meeting with triumph and disaster, and treating those two impostors just the same.
2:22 A Ghost Story
2:22 A Ghost Story
This is a ghost story, not a horror story, with an uneasy atmosphere of impending doom. The play is handsomely staged, with subtle but effective use of sound and lighting. Along the way we get red herrings, misdirection and tension-busting humour. Robins even lobs in class-conscious social commentary into the mix.
Cinderella
Cinderella
Spectacular, colourful, funny and polished. What more could you ask?