Skip to content

Northern Ballet - Merlin

Steven Whitear

Challenging, intelligent and visually stunning.

Northern Ballet - Merlin

Photo: Norwich Theatre

‘Two kingdoms at war. A pair of star-crossed lovers. One boy with a whole lot of magic.’

This Wednesday, Northern Ballet’s Merlin came to Norwich Theatre Royal.

Choreographed by Olivier Award-winning Drew McOnie, excellence and elegance danced hand in hand throughout. There wasn’t a step wrong, and there was a thorough, clear vision behind every scene that impressed me to the core.

The theatre’s nationally-recognised staging was shown in full force during the performance. Never before have I seen such inventive and well-thought-out set design and lighting. A large golden square towered over the dancers, glistening a glamorous golden hue worthy of the Merlin name.

The plot was complex and fascinating. Detailed in the accompanying programme, the plot tells a remarkable tale of Merlin navigating his way through pressures and adversity, culminating in an extraordinary conclusion. This is theatre that demands your full attention. The world-building is admirable and impressive, but the plot moves at a pace which could leave some people behind. This became clear when a group of older attendees who sat before me caught each other up during the interval, and it was obvious some details had been passed over by each.

I was amazed by the cast, who never missed a beat. The passion and enjoyment emanated from them and was reflected in the response from the crowd. There was a rare ability to keep the crowd enthused that mystified me. Everything down to the elegant and beautiful clothes they wore had a rare attention to detail that helped immerse me and the audience even more. Each kingdom was given a distinct visual identity, with fabrics and silhouettes that brilliantly combined medieval aesthetics with a contemporary edge.

Drew McOnie’s choreographic language itself deserves a special mention. It’s a dynamic and athletic fusion, moving seamlessly from the lyrical precision of classical ballet during the lovers' scenes to a grounded explosiveness in the battle sequences and magical confrontations. Every single movement served the narrative, defining character and driving the plot forward with a clear, articulate vision. The entire company executed this demanding style with breathtaking stamina and precision, but what truly sold the performance was their palpable commitment. As I have said, the passion and dramatic energy radiating from the stage were infectious.

This was my first exposure to Northern Ballet and their productions, as well as one of my first forays into the stories of Merlin. I felt, through the grace of the performance, that I was welcomed into this world with open arms and left feeling as though I had been on an adventure I will remember.

One thing that Merlin prides itself in is its marvellous dragon. I can say confidently that it lives up to the reputation that has been spread by word of mouth. The dragon looked stunning, reflecting the stage light and feeling like a true, sinister presence (and later an unlikely ally).

The practical effects blew me away. As well as the dragon, massive set pieces were moved around at pace to keep each sequence fresh and accelerating. When every new location plays out before your eyes, and dancers and models move around like clockwork, it really is a masterpiece.

Equally commendable was the score, which provided the pulsating heart for the dancers' movements. It was a wondrous, beautifully orchestrated soundscape that swelled with epic grandeur during moments of conflict and softened to a tender, aching melody for the central romance. It was this seamless fusion of ambitious sound and striking style that truly immersed the audience in the world of Camelot, making the entire experience utterly unforgettable.

Rest assured there is something for everyone here. Young and old, casual fan or die-hard Merlin expert. It was a thrilling ride that was pieced together by a team of brilliant masters of their craft.

Northern Ballet is celebrated as one of the UK's foremost narrative ballet companies, renowned for its dynamic, theatrical, and story-driven productions that often reinterpret classic tales and literature. This production of Merlin, was a highly anticipated work that had its world premiere in 2021.

The 2025 national tour is a major revival of the critically acclaimed ballet, bringing its unique blend of magic, romance, and epic adventure to audiences across the country.

Challenging, intelligent and visually stunning.

 

More Theatre Reviews

Teaċ Daṁsa / Michael Keegan-Dolan - MÁM
Theatre Review

Teaċ Daṁsa / Michael Keegan-Dolan - MÁM

Those that see this show will leave with a renewed sense of warmth and hope in their souls. It is a visceral tribute and testament to the music, the traditions and the culture of the people of the Kerry coastline

David Auckland 14 Feb 2026
Dear England
Theatre Review

Dear England

This play about football was not really about football at all. It was a play about male bonding, humanity, mutual respect, facing your demons, and about meeting with triumph and disaster, and treating those two impostors just the same.

David Vass 4 Feb 2026
2:22 A Ghost Story
Theatre Review

2:22 A Ghost Story

This is a ghost story, not a horror story, with an uneasy atmosphere of impending doom. The play is handsomely staged, with subtle but effective use of sound and lighting. Along the way we get red herrings, misdirection and tension-busting humour. Robins even lobs in class-conscious social commentary into the mix.

David Vass 27 Jan 2026
Cinderella
Theatre Review

Cinderella

Spectacular, colourful, funny and polished. What more could you ask?

David Auckland 11 Dec 2025
Inspector Morse - House of Ghosts
Theatre Review

Inspector Morse - House of Ghosts

Actors, directors and backstage crews work just as hard, perhaps even harder, when things aren’t working out, and I take no pleasure in finding fault. However, whatever the reason, the play was a disappointment

David Vass 19 Nov 2025
Warhorse
Theatre Review

Warhorse

The moment when Joey transforms from a foal to a fully grown horse is a gasp inducing theatrical wonder. Such is the skill of the three puppeteers operating Joey, they are entirely invisible to the mind's eye, despite being in plain sight

David Vass 29 Oct 2025

More by Steven Whitear

Norwich Film Festival - Late Night Shorts
Film Review

Norwich Film Festival - Late Night Shorts

A selection of eight distinct dark comedy and horror shorts from local and independent film creators.

Steven Whitear 9 Nov 2025
Mariah Carey
Live Review

Mariah Carey

An unbelievable and successful night.

Steven Whitear 16 Aug 2025
Sam Ryder Rock n Roll Circus
Live Review

Sam Ryder Rock n Roll Circus

Sam Ryder made me feel welcome and part of something bigger

Steven Whitear 15 Aug 2025
THE CASTLE: REBUILDING HISTORY -Literally a look behind the door
Feature

THE CASTLE: REBUILDING HISTORY -Literally a look behind the door

Get a feel for the amazing work that has gone on.....

Steven Whitear 5 Aug 2025
Chicken Town: World Premiere
Film Review

Chicken Town: World Premiere

I’ve never seen a movie that can jump between comedy and grounded realism with such ease and respect. ..... There is real, genuine importance in this movie. Even after becoming properly engrossed in these characters and the themes present in the movie, I keep on thinking that there are deeper meanings that will register with me on a rewatch.

Steven Whitear 17 Jun 2025
SOUP presents THE BOWL
Film Review

SOUP presents THE BOWL

I know I've said it before, but it can't be understated how rare it is to see a brave new fledgling sitcom appear - never mind locally! I have to mention that the soundtrack to the episode was entirely original, which is unbelievably impressive for a project such as this. The leaflet I was given prior to the screening said that the pilot promised to be ‘bold, vibrant and entertaining’ - and that's absolutely what it is. That sums it up pretty well. There's a lot to be proud of here. I can't wait to say ‘I knew them when' years down the line.

Steven Whitear 16 Jun 2025