Nathan Fake - Wax Stag - The Mariner of Danu (DJ)
Photo: Norwich Arts Centre
Back to the Arts Centre for another evening of dense, richly textured electronic music from Nathan Fake, with support from Wax Stag, and a DJ set from The Mariner of Danu. This was a thoughtfully programmed evening, with both the main acts performing music built around prominent rhythm tracks. Wax Stag’s performance consisted of live drums, played on a kit in the centre of stage, layered over a pre-recorded backing track. It was a skilful, intriguing set and acted as an ideal introduction to the main act.
Nathan Fake is a local electronic music artist who has built and sustained a lengthy career based on a varied, eclectic approach to largely instrumental electronic dance music. Music of artists who came to prominence in the 1990s, such as Aphex Twin and Autechre, appear to be significant influences, but Fake’s approach is wide-ranging and often surprising; tracks that start in one direction will often develop unexpectedly or veer off suddenly into new territory. The diverse set is given a degree of unity by the brightly coloured abstract images projected on the screen behind him: echoing the music, theseimages may appear relatively static for a while before you realise that that colours and shapes have altered completely.
Afterwards, and as The Mariner of Danu gets going upstairs, I enjoy a pint of Adnams in the bar with my friend James. I browse through the programme of upcoming events. Norwich is fortunate to have such an excellent venue, and I’m glad that I’ll be back before long.
More Live Reviews
Franz Ferdinand
Franz Ferdinand
There was very little messing about, charging through song after song, so that when the band departed after an hour, having knocked seven bells out of the drumkit, it felt like only half that time had passed.
Offbeat Collective
Offbeat Collective
Eight members, eight different instruments, one cosy pub and the distinct and addictive sound of reggae and soul.
Dream Nails
Dream Nails
Whilst Dream Nails may be self-proclaimed musical witches, their love for their audience is clear to see.
Absolute Bowie
Absolute Bowie
My only disappointment – he didn't do The Laughing Gnome, or Little Fat Man.
Sinkhole
Sinkhole
Norwich’s next big thing has arrived, once and for all…
Kezia Gill
Kezia Gill
From Las Vegas to Benidorm in just over 90 minutes – how many other gigs take you on a journey like that?
More by Tom Lincoln
NORWICH FILM FESTIVAL - INTERNATIONAL MIX
NORWICH FILM FESTIVAL - INTERNATIONAL MIX
Five short films dealing - in wildly different contexts - with the tensions between autonomy and connection.
BBC Singers
BBC Singers
Stunning semi-improvised sections made for a compelling listening experience, enhanced by some stunning solo singing.
Jerron Paxton
Jerron Paxton
There is something so utterly compelling about his stage presence and his connection to the present moment, that the idea that there might be something anachronistic about his music seems absurd
Simon Munnery
Simon Munnery
I was frequently amused, and remained engaged throughout, but I don’t think that I was able to indicate my appreciation in a particularly audible way. Hopefully this message will go some way to redressing this, as I am confident that I will remember last night for far longer than the other meetings I attended this week.
Chuck Prophet
Chuck Prophet
Prophet’s onstage persona is entirely consistent with the combination of rage and hard-won jubilation that typifies his music.
268 years of reverb NNF 2024
268 years of reverb NNF 2024
I am glad that I spent eight hours of my Saturday sitting in the Octagon Chapel while two musicians (James McVinnie and Eliza McCarthy) took turns to maintain a bizarrely engaging continuous drone on the pipe organ. This was the world premiere of Jonny Greenwood’s (Radiohead, The Smile) composition and, as far as I was concerned, by far the most intriguing event of this year’s Norfolk and Norwich Festival.
Related Articles
Mogwai
Mogwai
I entered the LCR ready and willing to worship at the altar of their magnificence. Sadly, it didn't quite work out that way. At times this felt less about composition and more akin to ritual.
Kaiser Chiefs
Kaiser Chiefs
As Everyday is followed by I predict a Riot, Modern Way and Na Na Na Na Naa, it's a shocker to be reminded that noughties post-Britpop happened a long time ago.
Chloe Foy
Chloe Foy
Her voice reminds me of Lucy Rose, and her honesty and bravery in delivering the new songs in particular was both endearing and moving.
ASH & BAG OF CANS
ASH & BAG OF CANS
Nostalgia be damned, Ash are as relevant now as they have ever been.
MOUNTAIN PEAKS - WHAT COULD HAVE BEEN (I COULD HAVE BEEN MORE)
MOUNTAIN PEAKS - WHAT COULD HAVE BEEN (I COULD HAVE BEEN MORE)
Pavlis has to apologise for a long delayed review of a scorcher of an EP.
ADULT DVD & SILVERWINGKILLER
ADULT DVD & SILVERWINGKILLER
The hottest ticket at Wild Paths 2025 - which Pavlis missed - come back to Norwich. Was it worth the wait? Hell yeah.